the dan milner photography blog: tales of an adventuring photo chimp

July 29, 2016

Putting mouth where the money is – 100 pages & counting

Filed under: bike, outdoors, story telling — Tags: , , , , , — danmilner @ 9:10 am

The story I shot last year riding a nine day traverse of Ethiopia’s  Simien Mountains has now topped 100 pages in print (+ running on a dozen websites), which is handy because trip sponsors —in this case Giro— like to see some bang for their buck. It’s what helps keep the sponsorship wheel turning for future trips.

Sugar daddies aren’t always easy to find, and most of the trips I shoot are self-funded, based on the calculations that I have enough editorials lined up to make these kind of adventure stories pay the mortgage. But with our Ethiopia trip costing about $5000 per person it seemed like a good idea to take this to someone who might have the budget and vision to make this work. Knowing that ‘adventure” was something that Giro was keen to align themselves with, and that this trip would present some amazing opportunities to do so, I took the pitch to them and they bought it. The conversation went something like this: (me) “Hi Dain, I have this story in Ethiopia’s mountains..” (Dain, Giro Marketing Manager) “I’m coming.”  They sent six people including myself to join guiding company Secret Compass for a ride through the incredible Simien Mountains, camping en route and hauling our bikes to the top of their highest mountain, the 4552m Ras Deshan.

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This shot of Sarah Leishman and Kamil Tatarkovic sums up the riding in the Simians of me: tricky, tough and unforgiving but immensely rewarding I had no idea that Kamil would throw in the jump when we set this shot up. Nikon D600, 50mm/1.4 @ 1/1000, f71.

As the photographer on a trip like this it’s hard to shake off the feeling of responsibility, the sense that the whole budget sits on your shoulders. After all the images are what will drive the press coverage from the trip – the same coverage that convinces the sponsor that their money was well spent. I’ve had it before both for clients and editorial shoots — a $100k budget advertorial trip to Greenland, the expensive Svalbard Further trip for Transworld Snowboarding, and more. It’s the kind of pressure that only experience teaches you to deal with.

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You’re rarely alone in Ethiopia so it was no surprise to see this shepherd sitting at the last pass we reached before climbing to the summit off the country’s highest peak. The SD card loaded radio around his neck blasted out traditional music. The people here are some of the most welcoming I have ever met. Leica M9, Zeiss 50/1.5 @ 1/1000, f4.

 

So what of the trip? Ethiopia is hands down the most spectacular place I have shot. Its also one of the most friendly and welcoming places I have been. None of our team returned anything less than blown away by the experience, no matter how many previous adventures we’d done. And from the photo side, the trip presented a thousand and one unique opportunities to press the shutter. Here I’m sharing just three, as a snapshot of an epic experience.

You can see/read my feature from this trip in English on Mpora here, and in French here,French here, and Italian here.

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Our expedition’s success usually relies on the abilities of our support crew. Our chef nicknamed ‘Ramsey’ could turn any basic barn or corner of a mountainside into a kitchen, fuelling us to push our bikes to the 4500m high point of our ride. Nikon D600, Zeiss 18mm/3.5 @ 1/125, f3.5.

 

 

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September 1, 2014

I went mountain biking in Afghanistan and all you got was this lousy video

Filed under: bike, video — Tags: , , , , , — danmilner @ 12:47 pm

Here’s my moving image take on the Bikemag trip I photographed.  For your enjoyment. Or maybe mine. Click on image to watch on EpicTV.

Screen shot 2014-09-01 at 1.43.39 PM

 

December 5, 2013

Story behind – Afghanistan #4

Filed under: bike, photography, story telling — Tags: , , , , — danmilner @ 7:15 am
Nikon D600, 50mm 1.4, 1/800, f5.6

Nikon D600, 50mm 1.4, 1/800, f5.6

 

Altitude sickness, fatigue, cold and sunburn are the kind of things we calculated for on our recent pioneering Wakhan mountain bike expedition. But the many river crossings passed us by. Not for a minute did we think these would be so formidable. It’s arid Afghanistan after all right?However, the thundering torrents of brown meltwater became the great leveler among our group, with their distant sound causing the hairs to stand up on the backs of all our necks as we rode our trail towards another inevitable shoe-dunking. June is full meltwater season, and the many glaciers and snow-covered peaks around us teamed up with the steep, ravine-streaked terrain to remind us of this this at every opportunity.

Dark, churning icy waters gave no indication of depth and the roar of meltwater was kept in rhythm by a metronome clatter of rocks being rolled along the riverbed. Wading became a game of human 10-pin bowling, carrying our bikes across a very real game of chance. Some were steep and narrow, others a good 50m wide, but all were swift and cold. One slip from numb feet and a bike could be lost, or worse. Add the shouts and wild gesturing of our anxious Afghan support team to which we tried to pass bikes and you have a recipe for chaos. The above shot was our third river crossing on day one. We would have more than a dozen more during our 12 day expedition. Only two of them would have bridges.

Catch my full feature in MBUK, Bike Germany, Revolution Australia, Friflyt Scandinavia and online on Italy’s MTB-forum.com later this month.

 

November 11, 2013

Final countdown – making the cut at TPOTY 2013

Filed under: bike, photography — Tags: , , , , , , — danmilner @ 8:59 am

I just heard that I made the finalist shortlist in the 2013 Travel Photographer of the Year contest. With 15 years of pro photography behind me, should I be surprised? Well, the truth is that I am, I guess.

Wakhan Corridor, Afghanistan, June 2013. Nikon D600/50mm 1.4 @ f4.5, 1/1600th.

1 of my 4 shortlisted portfolio images. Wakhan Corridor, Afghanistan. Nikon D600/50mm 1.4 @ f4.5, 1/1600th.

I’ve never been one to bother entering photo comps. Too busy being out there shooting pics and earning a crust to deal with the paraphernalia of filling in on-line submission forms and adding metadata to images. At least that’s what I tell myself. The truth is that the real time consuming part is the self edit needed to decide on the images you want to submit. It’s not a confidence thing, but merely the requirement to detach yourself from any personal emotions that may be embedded in an image  -the feelings you had when you took the shot, the story behind the subject etc-  and see your image in an objective way, as the judges would do, that is the challenge. Does the photo really convey the feeling of what made you shoot it? Does it technically deliver?

Many people think that shooting a ‘winning’ image is about being in the ‘right place at the right time’, that is to say “luck”. While there’s an element of truth in this (although you have to make the effort to be in that place), images that turn heads, whether catching the attention of a magazine photo editor to land an opening spread or the eyes and imagination of professional judges generally need a little more to them than luck. And to prove it, in the case of making the finalist list in the TPOTY the “wild stories” category, the submission needed to be a small portfolio of 4 images, that when combined ‘tell a story’ of the adventure, with a “beginning, middle and end”. Hmm, in only 4 images?! Thats no easy edit among say the 2000 images I shot on the Afghanistan trip in June.

Having previously photo edited for a UK snowboard magazine, you’d think I’d know what works and what doesn’t, and I do. But that doesn’t make it any easier to edit your own work of course, especially when TPOTY is built around the monumentally wide subject matter that is “travel photography”.

I guess I just have to wait until the winning images are declared in December to really know if my self edits were appropriate. The finalists will be exhibited at the Royal Geographical Society, London in 2014. But until then I’ll just go back to shooting and earning a crust.

September 28, 2013

Story Behind -Afghanistan #2

Filed under: bike, photography — Tags: , , , , , — danmilner @ 8:52 am

No.2 Hey, Nobody said it would be easy.

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Matt Hunter starts the long walk into the unknown. Again. Nikon D600, Zeiss 18/3.5

Yaks are the ultimate 4×4 in a place like Afghanistan. They go through anything. Unfortunately we had horses and donkeys instead to carry our expedition camping gear for our 12 day haul. And after 3 days of alternating blizzards and sunny spells, they just couldn’t make it over second 16,000 ft pass we climbed on day 6, the snow was too deep. Our choice was either to try to swap our horses for yaks and re-attempt the pass next day, or go the long way round, a 30 mile down valley and up the next route that was too exposed and technical for horses. At least that’s what we’d been told by the local Afghan horsemen not wishing to lose their earnings to yak-herders, as the reason why we attempted the pass.

Beaten back by deep snow, we took the alternative route, one that proved just as hard as the 16,000ft pass we’d retreated from the day before. A morning of flowing, fun riding ended at this deep canyon, and along with it any resemblance of ridable trail. Steep, loose and bottoming out in a raging snow-melt  river we had no option but to descend into the abyss, wade the river and shoulder our bikes, again. It took us another 7 hours of soaking wet, freezing cold bike pushing through more blizzards to reach our final destination that day, a camp spot at 14,000 ft perched beneath a mighty glacier. Arriving a mere half hour before nightfall, no-one had the energy left to appreciate our surroundings, but we’d found a way round. And still had the horses in tow. Afghans are a resourceful people.

August 9, 2013

Shooting Afghanistan without war

Superlatives are easy. But sometimes they are justified. Finally, the dust has settled on our June mountain bike expedition to Afghanistan, and the first glimpse at some of my shots in a 50 page online Flipbook magazine along with Anthill’s first incredible film from the trip are online now. You can see both here, at Bikemag.

First day, last descent. Off camber, loose and 600m of vertical into a raging river doesn't mean we're not going to ride it. Tough day. Great finish.

First day, last descent. Off camber, loose and 600m of vertical into a raging river doesn’t mean we’re not going to ride it. Tough day. Great finish.

In reality it has taken this long for the dust to settle, for my mind to process what we have achieved. Superlatives or not, this did prove to be the most ‘out there’ MTB trip I have ever undertaken, and shot. And those that know me, know that I am not shy of having tucked more than a few ‘out there’ MTB trips under my belt before. This one, the first ever MTB traverse of the Little and Big Pamirs of Afghanistan’s Wakhan Corridor, was ambitious to say the least. I knew it was before we went, and I knew it was when, after 5 days of rough and scary travelling, we reached our ride-start point and our guide pointed out a series of geographical features on the map, each of which could spell a retreat: raging glacial rivers swollen by snowmelt, 5000m passes buried under snow too deep to traverse.

Bikes are nothing here, but it doesn't stop everyone wanting a go on one.

Bikes are nothing here, but it doesn’t stop everyone wanting a go on one.

Our 12 day ride-hike-camp was punctuated by challenges -including one retreat- and proved physically and mentally taxing at every stage. There is nothing easy about Afghanistan it seems. It’s perhaps what makes the people so incredibly tough. And without them we would have got nowhere. Away from the ugly war that tears the country apart only a few hours to the south, the people in the Wakhan were the most friendly, helpful and welcoming I have ever met. And the beauty of digital photography is being able to share the photo experience with subjects like this, right there and then.

Afghanistan: possibly the toughest place on earth?

Afghanistan: possibly the toughest place on earth?

But being immersed in such trips with their incessant demands on energy reserves sometimes means not quite realising what you are doing, while you are doing it. And that’s what I mean about the dust settling. Sometimes such expeditions are such a sensory overload that it’s only later, when the film and images start to emerge, and you can stand back and look again, that you realise what you have achieved. As a photographer, a mountain biker and as a regular person with a piqued desire to see parts of the world that are deemed ‘off limits’ and engage with the people there, fills me with immense pride. I’ve had the same experience shooting snow expeditions in Deeper and Further with Jeremy Jones/TGR.

Of course, it won’t be long before the niggling urge to kick up the dust once more grows into a nagging compulsion to travel again But in the meantime, if the flipbook images on bikemag.com spike your intertest, then look out for the complete print story, with fresh photos, out in several mags October onwards.

Matt Hunter engages with a local Kyrgyz kid. Wheels are nto seen here. Yaks and horses are the means of transport for everything.

Matt Hunter engages with a local Kyrgyz kid. Wheels are not seen here. Yaks and horses are the means of transport for everything.

Choosing the right kit for trips like this can be testing. For the gear geeks, I used the Nikon D600 (very portable and did well in the dusty/cold/snowy/hot environment) with Nikon 70-200 f4, Nikon 50 f1.4 and Zeiss 18 f3.5 glass for the action, and my Leica M9 with Zeiss 18, 28, 50 and 90 glass for the travel. Lifeventure drybags kept my mind at ease during the many raging river crossings. Osprey Escapist 30 carried it all on my back. Mountain Equipment outerwear kept me dry and warm in the blizzards, and Mavic ride clothing kept me comfy and dealt with the odours of 12 days out without a bath. Mavic Alpine XL shoes are my go-to shoe for hike-a-bike missions. My Yeti 575 was the perfect bike. Again.

4900m up and there is only one way ahead: down.

4900m up and there is only one way ahead: down.

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